Snake Men

Sssqueeze – Evil Long-Armed Viper (1987)

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I have no recollection of ever seeing Sssqueeze in stores, but by 1987 I had stopped following what was new in He-Man‘s world (back in the day that meant scouting out catalogs and toy aisles rather than forums and social media). My first reaction to seeing him as an adult was that I didn’t think he fit in with He-Man at all. His head reminds me of those hollow plastic Imperial beasts you used to find everywhere. And of course his ultra-long bendy arms are incredibly goofy-looking and gimmicky.  He also reminds me of something that might have come out in the Galaxy Warriors toyline.

But, as is often the case, Sssqueeze won me over once I bought an example for myself. Yes, he’s still goofy, but he’s got some interesting and unique design elements going with his costume, and I am a sucker for his bright green, purple and orange color scheme.  It’s nice that he doesn’t reuse any parts from previous figures, although he easily could have made use of legs from Rattlor or King Hiss.

Sssqueeze is a part of the Snake Men faction (their logo in on his chest). However, like Tung Lashor, he doesn’t seem to be a snake at all. His head has looks like it was taken from some kind of dinosaur. His long arms are certainly snake-like, but otherwise he seems to be a distant cousin of the Snake Men who decided to join in on their fun.

Sssqueeze’s early working name was Tanglor. The concept art below shows the character with a rather oversized head, and some black paint behind the Snake Men symbol, but otherwise it’s pretty close to the final toy, which was sculpted by Eddy Mosqueda:

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“Tanglor” concept art. Image source: The Art of He-Man
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Cross sell artwork courtesy of Axel Giménez. The artwork is faithful to the look of the final toy.

The figure itself had flexible rubber arms with internal metal wires to maintain their position, similar to Gumby toys. The arms could be rotated within the figure’s hard plastic body, or even slid from side to side, giving the character two arms of different lengths. He had the familiar spring loaded waist, but given the weight of his upper body, it moves rather sluggishly.

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Sssqueeze in Mattel’s 1987 Dealer Catalog (image via Orange Slime)


The artwork on the back of Sssqueeze’s card was done by the prolific Errol McCarthy, and I believe the artwork on the front was done by Bruce Timm.

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Image via Grayskull Museum
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Image via He-Man.org

McCarthy also illustrated the character for use on a T-shirt and also for the 1987 Style Guide.


According to the Style Guide, Sssqueeze “entangles foes with his powerful constrictor snake arms. Sssqueeze just can’t keep his long arms off any enemy. As soon as a fight starts, he’s in the thick of things, wrapping up the first warrior he gets a grip on.”

Squeeze plays a fairly major role in two mini comics released in 1987 – Revenge of the Snake Men! and Energy Zoids. In the former he goes by his working name, Tanglor.  At the behest of King Hiss, Snake Face, “Tanglor” and Blast Attak launch an assault on the royal palace, nearly succeeding in overthrowing all the heroic warriors there.
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In Energy Zoids, Sssqueeze helps Skeletor capture Rotar, but ultimately becomes Rotar’s weapon as he unleashes his attack against Twistoid.

Sssqueeze works for Hordak in issue 8 of the Star Comics Masters of the Universe series, where he faces off against He-Man, who is equipped with his Scubattack accessory (images via He-Man.org).

In the Fall 1988 issues of the US Masters of the Universe Magazine, Skeletor sends Sssqueeze, Blast Attak, Snake Face and Ninjor to capture King Randor, who has been stranded in the desert.  He-Man defeats the villains with little difficulty (images via He-Man.org).


The same issue comes with a poster painted by the legendary Earl Norem. In the scene, He-Man faces off against Snake Face and Ninjor, while Clamp Champ takes on Blast Attak. Sssqueeze holds King Randor captive at the top of a cliff.

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The Winter 1988 issue features a puzzle made from a tangle of Sssqueeze arms.

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Image source: He-Man.org

Issue 7 of the 1988 German Ehapa Verlag comic series came with a poster by Esteban Maroto, featuring Sssqueeze, Snake Face and Blade:

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Sssqueeze also appears in William George’s Preternia poster:

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Sssqueeze is certainly one of the goofiest characters in the MOTU line, but also one of the most fun to play with. He’s certainly the most poseable, and works great as a desk toy.

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Evil Warriors, Snake Men

Kobra Khan – Evil master of snakes (1984)

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I remember quite well getting Kobra Khan. It was our last summer in our Eastern Washington house, before our big move across the mountains to a rainier, more temperate part of the Pacific Northwest. Although Kobra Khan was released in 1984, I didn’t get him until 1986. I remember gravely weighing my options at the store. I could get two toys, and I was determined that they be Snake Men. I  was looking at getting Kobra Khan, or the newly released King Hiss or Rattlor. I don’t remember seeing Tung Lashor at the time. After studying all three toys and their packaging intently, I concluded that King Hiss was a cool idea, but his hidden snake body wasn’t all that great looking, so I went with the other two figures instead.

Snake Men

I spent the last hot summer in the old house running around with Kobra Khan. After he had sprayed his paralyzing mist on all of my heroic warriors, he turned his venom on most of our house plants, and of course on me as well. The figure put out a highly dispersed sort of mist, and it was a great way to stay cool. I played with him so much that I remember getting a sore finger from pushing down on his head.

Kobra Khan seems to have originated with a Roger Sweet concept for a warrior wearing a snake costume, like a male version of Teela. Actually, the concept  recalls the G.I. Joe villain Serpentor on some ways, too, although that wasn’t released until 1986. In any case, as is noted in The Power and the Honor Foundation Catalog, Roger Sweet’s drawing seems to have a hole in the snake’s mouth, suggesting the water squirting feature was already planned out at this stage:

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Image source: The Power and the Honor Foundation Catalog. Like Buzz-Off, this character started out as a costumed human being.

The final toy was, of course, quite different from Sweet’s original concept. While both toy and concept were to reuse Skeletor‘s arms and legs, the final toy had a unique sculpted and scaley chest and crotch piece. Due to the action feature, he didn’t have the usual twist waist action feature. Kobra Khan was given a snake head rather than the concept human head and snake cowl. Probably due to the fact that the character’s head had to press downward in order to activate the spray feature, he lacked the characteristic cobra hood. For his accessory, he was given an orange-red version of Zodac‘s gun. The name Kobra Khan was trademarked on January 27, 1984.

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Image source: Axel Giménez


Kobra Khan was sold on the standard single card, as well as in a JCPenny two-pack with Whiplash. Errol McCarthy painted the scene on the back of his card, which features the villain trying to attack He-Man and Man-At-Arms with his hypnotizing mist:

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Image source: Grayskull Museum. Note that in this illustration, Kobra Khan’s center column of chest scales is painted brown.
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Image source: The Art of He-Man

Errol McCarthy also illustrated the figure in a variety of contexts for use in licensed merchandise:

One of the above illustrations was also used in the 1987 Style Guide. Note that the character is given the cobra hood that the figure lacked – no doubt an influence from the Filmation cartoon (more on that later). Interestingly, he puts a Snake Men symbol on Kobra Khan’s chest, which is part and parcel to the retconning of Kobra Khan as part of the Snake Men. That faction wasn’t introduced until 1986:

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Interestingly, there was a version of Kobra Khan that did have the snake symbol on his chest– a variant made by Argentinian manufacturer Top Tops, called Kobra Khan Camuflado. Known as Camo Khan to many fans today, the figure had a green and black camouflage style paint job, gold boots and belt, and strangely, Buzz-Off’s clawed arms. He was given Clawful’s green mace as a weapon:

Kobra Khan first appears briefly in the background of the 1984 minicomic, Double-Edged Sword, and again in the background of Hordak, The Ruthless Leader’s Revenge (1985). He plays a much more central role in the 1986 minicomic, Rock People to the Rescue, where he teams up with Webstor against Rokkon and Stonedar.

In the 1986 comic, King of the Snake Men, Skeletor instructs Kobra Khan to join with King Hiss as a spy. But in Fastest Draw in the Universe (also 1986) Kobra Khan is again a henchman of Skeletor.

Kobra Khan appears prominently in the Golden Books story, Meteor Monsters, and plays a background role in Maze of Doom.

He also makes several appearances in poster artwork by both William George and Earl Norem:

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Illustration by Earl Norem. Note that Kobra Khan has his hood in this image.

He only appears once on box art – in the 1985 Battle Bones illustration by William George:

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Kobra Khan didn’t appear frequently in the Filmation He-Man cartoon, but his appearances were memorable. The character was portrayed as clever and credibly threatening, able to knock out most opponents with his sleeping mist. His most memorable appearance is probably in “Disappearing Dragons”, where he teams up with Webstor and they square off against Buzz-Off and Mekaneck.

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In the series, Kobra Khan is typically illustrated with his mouth closed. When he wishes to use his knockout gas on someone, his cobra hood extends and the gas seems to come from the hood rather than his mouth.

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In “The Good Shall Survive” Khan displays the odd ability to elongate his arms (a trait later shared by Sssqueeze).

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The final He-Man episode, “The Cold Zone”, features Khan as the primary villain, and we learn more about the Reptons (the race of snake men on Eternia). Because of that episode, I generally like to display Kobra Khan in the Land Shark.

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Kobra Khan is typical of third wave characters in that he was never ubiquitous in Masters of the Universe storytelling, but he was used occasionally as a henchman or villain of the week. The principle characters of the mythos seem to be grouped around the figures released in 1982 and 1983 as a general rule, with few exceptions.